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Maya Threads: A Woven History of Chiapas
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Review
"Immeasurably deep, endlessly layered and nuanced, aesthetically beautiful, resonating with the grounding of ancient ways yet in constant, dynamic flux, the world of the traditional Maya is incomprehensible to those who have not breathed it into their beings. Truly rare are those from the outside who understand it, rarer still are those who can respectfully transmit the complexity of this society to those of us on the outside. Chip Morris is one of these rare individuals, intelligent and humble, with humor and profound insight gained through close to four decades of life in the Chiapan highlands. He is also an excellent storyteller and he and his coauthor, Carol Karasik, do honor to that skill as well as the rich culture they share with us in this book." —Eric Mindling, Traditions Mexico Cultural Tours, Oaxaca, Mexico"Walter F. Morris, Jr. speaks with a voice of authority derived from his thirty years of experience working with Maya textile artists in Chiapas, Mexico. His coauthor, Carol Karasik, brings her own experience of the country and its people and an accessible writing style to the book, and Janet Schwartz’s beautiful images speak their own language about Maya clothing in bright detail. Maya Threads covers the clothing and customs of Chiapas from ancient to present times, and the changes that have occurred as new materials and influences have affected the culture." —Margot Blum Schevill, coauthor, Maya Textiles of Guatemala"Contemporary indigenous dress in Chiapas is a fascinating amalgam of pre-Hispanic Maya traditions and influences from the modern market economy, filtered by the creativity of the people who make and wear it. The authors [of this book] lovingly describe how and why it changed from then to now, based on long-time familiarity with Chiapas as well as new field work and interviews. Together with the gorgeous photographs, there is significantly more detail on the subject here than ever before, in some cases with the exact year and innovator identified. It is warmly recommended to travelers and scholars alike." —Ann Pollard Rowe, author, A Century of Change in Guatemalan Textiles"It will be of great help and interest to anyone working in the field of Central American textiles and clothing, as well as those looking for inspiration for their own work. Well worth having!" —Gillian Vogelsang-Eastwood, Director, Textile Research Centre
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About the Author
Walter F. Morris, Jr. became a deep expert in the textiles and culture of the Highlands after traveling to Chiapas as a tourist in 1972. His fluency in Tzotzil and his extensive time in Maya villages have given him unique insights into the history and symbolism of Maya textiles. He is a founder of Sna Jolobil, a weaving collective based in San Cristóbal, which both supports weavers and fosters excellence in native textile arts. He received a MacArthur Award in 1983 for his work in textile symbology in Chiapas. Carol Karasik is a writer and editor who has been studying ancient astronomical alignments at Palenque. She is the author of The Drum Wars: A Modern Maya Story and The Turquoise Trail. Janet Schwartz is a native New Yorker who came to Chiapas in 1978 on a Fulbright Scholarship to study the Bonampak murals. She has gone on to become a clothing designer, a tour guide, and ultimately a journalist/photographer with thousands of bylines to her credit. They all live in San Cristóbal, Chiapas (Mexico).
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Product details
Paperback: 224 pages
Publisher: Thrums Books (February 15, 2015)
Language: English
ISBN-10: 0983886067
ISBN-13: 978-0983886068
Product Dimensions:
9 x 0.6 x 11 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#621,387 in Books (See Top 100 in Books)
For those who love handwoven textiles, this book is a "must have." The narrative about the history of Mayan weaving in the highlands of Chiapas begins with a scholarly explanation of the correlation between images that appear in ancient Mayan temple carvings and myths, and continues through the story of how the images and the artistry of Mayan weavers has been preserved and elaborated through the centuries. The tale moves through Mexican history from the time before the Spanish conquest, the colonial period after the conquest, the Mexican revolution, and forward to the modern era. The photos and the text also address the differences in the weaving arts in different villages, the weaving and embroidery techniques, and the costumes and feast days of the various villages. The book is very well written, and the photos are spectacular. I highly recommend this book.
Photography not as nice as I had hoped (snapshot quality) but lots of pics, and **amazing**, knowledgeable history of this ethnic fashion genre!
Another great book by Chip Morris, updating other work done about the textile art of Chiapas.
Very nice book. Highly recommended!
Excellent history of the Chiapas through textiles.
Excellent work
Beautiful, inspiring.
I was pleased to receive this book in the mail as a gift from Thrum Books. This review however is my honest opinion. As Deborah mentioned the photos are outstanding and, of course, that was my first cruise through the book. Then I decided I needed to actually read it from cover to cover. Haven't gotten all the way through yet, but I want to get my thoughts down soon.Chapter 1 had me flipping back and forth from descriptions to diagrams and back again. I had a difficult time identifying the symbols and designs. Mayan culture and history is not something I've studied a lot. Very intriguing and makes me want to study it all the more.The following chapters had me at the first page. I love hearing about the costumes and how they are made and how some have evolved in response to the introduction of modern materials and machines and because of the interaction of various communities due to new roads. And don't get me started on the embroidery... amazing work. But I'm kind of disappointed to learn that embroidery mean that some communities quit weaving the patterns into the cloth since it could be embroidered on purchased cloth. I love that the Cancuc women discovered blue in about 2005 - their huipils are gorgeous. It was fascinating to read about the changes in costumes and how there is no recorded history of those - no fashion magazines! - and the word of mouth history from villagers is called into question by the authors.A book with political and religious history as well as cultural history. Wonderful reading, too much to consume in one sitting. I will return to chapter one and work through each following chapter one at a time and try to get a sense of the vast cultural variety in this tiny part of the Americas.Diane
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