Ebook Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis

Ebook Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis

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Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis

Ebook Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis

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Review

“This memoir helps keep the Darfur tragedy open as a wound not yet healed.”—Elie Wiesel, author of Night“This is a brave book. And a valuable one. Halima’s story of the atrocities and immeasurable losses she has endured must be told. The world continues to turn a deaf ear to the cries from the Darfur region, and our failure to protect this tortured population is a measure of who we are as a global ‘community’. Still, Halima leaves us with hope and awe in the face of her courage.”—Mia Farrow, actor and advocate“Halima Bashir has bared her soul to help stop the bleeding of her people in Darfur. Attention must be paid.”—John Prendergast, co-chair of the ENOUGH Project and co-author of Not on Our Watch: The Mission to End Genocide in Darfur and Beyond“A harrowing and beautifully written tale of a rich life, untold suffering, and impossible hope told from the heart of a fellow African sister. Read this as the tragedy that has overcome our long-suffering country, Sudan.”—Mende Nazer, author of Slave “Halima’s story is fantastic and exhausting, perhaps all the more so because I can see and hear and feel the people and places she describes. People need to be drawn into Darfur through stories like this, to cut through the statistics and the horror and to come back to the humanity–to families, love, hope, and courage and the normality of life in such abnormal circumstances.”—Lisa French Blaker, author of Heart of Darfur“The genocide in Darfur has found its Anne Frank. The slaughter inflicted on the African peoples of western Sudan is one of modern Africa’s darkest episodes but one Darfuri woman, Halima Bashir, rips through diplomatic compromise and political double-speak to lay bear Darfur’s ghastly reality. A searingly frank testimonial of a war crime that deserves all our attention.'”—Tim Butcher, author of Blood River: A Journey to Africa’s Broken Heart“Bashir, a physician and refugee living in London, offers a vivid personal portrait of life in the Darfur region of Sudan before the catastrophe . . . This is a vehement cri de coeur, but in showing what she suffered, and lost, Bashir makes it resonate.”—Publishers Weekly

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About the Author

Halima Bashir lives with her husband and son in England, where she continues to speak out about the violence in Sudan. Damien Lewis has spent the last twenty years reporting from war zones in Africa, with a particular focus and expertise in Sudan. His reporting from Darfur won the BBC One World Award. He is the internationally bestselling co-author of Slave, winner of the Index on Censorship Book Award.

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Product details

Series: Random House Reader's Circle

Paperback: 352 pages

Publisher: One World; 58660th edition (September 29, 2009)

Language: English

ISBN-10: 0345510461

ISBN-13: 978-0345510464

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

74 customer reviews

Amazon Best Sellers Rank:

#407,253 in Books (See Top 100 in Books)

This book is incredible. I've read many books on genocides and this is definitely one of the best. It's not just facts or events spewed out, but a really deep, personal story. You get to "see" Halima grow up in a wonderful community in Darfur. The characters become so real. So much love, happiness, and normal family conflict goes on before the terror begins. It really helps you feel how heavy and awful the violence is.I absolutely recommend this book.

I had heard about the tragedy of Darfur and wanted to know more about the story of this country. I am so glad that this book is available to provide information about the people and their situations. I loved reading about the daily lives of the people there - the food they ate, their unique housing arrangements, the games they played and most of all their love and respect for family and community. But that was before the terror of invasion of brutality into their quiet lives. Each time we hear of such things in our world, we say "Never again". We must identify with our fellow humans to each work hard to make this a true saying. This book was very meaningful and enjoyable.

Originally, I read this book in hopes to use in the classroom for world literature. From a literary standpoint, some chapters seem to drag along; the memoir could certainly benefit from better editing. The first couple of sections of the book could certainly be shortened, and several typos exist (at least in the Kindle version). As far as Bashir's account of Darfur is concerned, it is a chilling rem I need of just how evil mankind can be; we typically tell ourselves that something this horrific could never take place in the 21st century! Think again. We Westerners believed similarly prior to the Jewish holocaust. When will this cycle end. Her epilogue certainly opened my eyes about China's indirect involvement in this crisis.Although I will most likely not have students read the book in entirety, I may use excerpts from this account to supplement units covering such themes as contemporary war and Africa in the 21st century.

The author does a spectacular job sharing the joy, sadness, challenge and yes, the horrors of her world in this book. Much of the time I felt as though I was right there with her, participating in her experiences. I laughed and cried with her and I felt her pain and humiliation deep in my soul. One cannot help but grow as one reads this book. It is more than a good read... it is an education about an ancient, exotic culture and a lesson on empathy, love, compassion and fear. Those who follow events that reveal man's inhumanity to man (and women) are aware that the author showed great courage by placing her personal safety at considerable risk with this book. By refusing to remain a victim and telling her story she has pointed the finger of guilt at her aggressors. They are fearful and striking back with accusations and threats but the world knows the truth of their inhumanity now, so try as they may, their efforts will fall on deaf ears.Michael James JaquishAuthor: Beyond Courage: Tales of a Country Cop in AfricaThe Buddha And The Badge: A Journey of Personal DiscoveryA Monk Without A Monastery: An Examination of Self-Discovery

Well written, eye opening. I find it hard to describe, it isn't fiction, it is someone's life!The courage and determination Halima demonstrated will be with me forever. I thinkevery American of appropriate age should read this book. If it doesn't make youcount your blessings i don't know what would!

I can't recommend this book enough. It's not for the faint of heart and there are no happy endings for many suffering in Darfur but it opens your eyes.This book allowed you into the life of her African tribe, their day to day rituals and even though they are a world and culture away, you see the love of family. Children even in Africa create simple neighborhood games, family and friends celebrate with food and gatherings. Their tribe was all about family. And you see the similarties even in our lives in the usa.And then you're shown the ugly part of this world we live in. A world where animals feel they are better. Animals who justify rape, murder and savagery. You feel first hand the suffering, feel the fear and the despair when people are hunted down like animals.This would make a fantastic movie and would bring attention to the atrocities in this world that are going on as we speak.Highly recommend.

One woman's fight for survival against barbarians. Ultimately, the book shows the uselessness of the United Nations to stop genocide of millions of people. It was interesting to read how prejudiced the Arabs were against the blacks of Darfur and surrounding areas, yet, they are all Muslims; skin color is more important than religious preference. This story of ultimate survival leaves you with a sick feeling against mankind's cruelty.

It is incomprehensible that the world would let thugs, war lords, Muslim murders continue to wreak havoc and genocide on innocent people. If it is not clear by now that the UN has no authority let it be known they are ineffectual and the world should start acting on its own. The US is too generous to the third world nations that want to control theUN. Stop funding the UN and put the money where it is needed.The money used by UN on one country that has an inside track for whatever reason could have alleviated all the suffering in Darfur.This story is a tale of what the human spirit is capable. It is an eye opener for the condemnation of female circumcision and it's barbaric practice inflicted on young girls. It is brutal!!If you need inspiration, read this memoir.

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Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis PDF

Tears of the Desert: A Memoir of Survival in Darfur (Random House Reader's Circle), by Halima Bashir Damien Lewis PDF

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Ebook Free , by Robin Hobb

Ebook Free , by Robin Hobb

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, by Robin Hobb

Ebook Free , by Robin Hobb

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Product details

File Size: 3250 KB

Print Length: 688 pages

Page Numbers Source ISBN: 0553582445

Publisher: Spectra (November 26, 2002)

Publication Date: November 26, 2002

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B000FBFMIO

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Amazon Best Sellers Rank:

#25,914 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I noticed when skimming the other reviews that a lot of people didn't seem to like this book. I was not one of them. Where some people found middle-aged Fitz annoying, I found him relatable. This may say more about my own personal failings than about Hobb's overall level of skill (I, too, struggle with letting go sometimes...okay, maybe more than sometimes), but regardless, I enjoyed Fitz as a protagonist in this book. I actually liked him much better than I did in the Assassin books. The character formerly known as The Fool (and by another name in another trilogy, if you're paying the least bit of attention) continues to delight, as does Nighteyes. Reading about both of them was like reuniting with old friends. Some of Nighteyes' "dialogue" had me literally laughing out loud at times. No, Kettricken doesn't get much attention, but that's because she's not a significant character in this book, and that's okay.Hobb continues to expand her world-building exploration of the Wit and the Skill in this book in ways that intrigue and provoke reflection on a variety of topics, from small-scale ones such as personal boundaries in relationships to larger-scale ones such as how humans in general tend to "other" and find reasons to hate and fear one other. The tempo does start off slow, but that seems appropriate given that Fitz starts off arguably "stuck" in the isolated life he has chosen. That sort of life has a slow tempo built into it (as anyone who has lived in relative isolation can attest), so causing the reader to experience that tempo is just one more way that they can become immersed in Fitz's experiences- as I did.Without getting into spoilers, I will say that even though I saw some plot twists coming, it didn't diminish at all from the experience for me. There were still parts near the end where I couldn't bring myself to set the book down, and had to read just one more chapter, even if I should have been sleeping. And there were parts where I cried. And kept crying, well after I'd set the book down. That might sound bad, but I wouldn't trade away the experience of reading this book for anything... strange as it might sound, I loved it.The epilogue initially struck me as strange and irrelevant. At the time I shrugged and was just like, "whatever." Then twelve hours later I was laying down with a cat on my chest, just contemplatively looking out a window, and all of a sudden the theme hit me like a tsunami crystallizing on impact. It just all came together in a single moment, and shifted something in my soul a little bit.Anything that can cause that is very good writing, indeed. Maybe I read it at the right time, and that amplified the impact. But it still had to be the right book, at the right time. So while this was an enjoyable escapist adventure in a detailed fantasy world (as Hobb provided in her previous two trilogies), it also tells what can be (depending on the reader, I suspect) a deeply meaningful and thought-provoking story. I expect this one will stay with me for some time.

I read the Farseer Trilogy many years ago and remember it as a beacon in a sea of terrible fantasy.I'm afraid since then, having read the liveship trilogy and now tawny man, that I am again, cast adrift. I'm afraid to look at the Farseer trilogy any more, because I don't know if Hobb got worse, or my idea of a good novel simply changed.Fitz is a character I feel Hobb tries to make you feel sympathy for as a flawed human, but it comes across as fishing for compliments. He's somewhat pathetic, constantly complaining about things that he has the biggest hand in. Are people really like that? Sure. But as the main protagonist, it's droll. I find the story from his perspective to be positively annoying. Hobb spends an inordinately large amount of time detailing inane things like taking a bath, but the parts that move the plot are done so quickly, or EVEN WORSE, some other character reports to Fitz what happened, and the event is not even detailed with the color or that other character's language. It's summarized by Fitz. This happens so often it actually makes me angry. I don't mind the daily life descriptions in fantasy novels. I think they are great ways to flavor the world of your story. But to make them a larger part of the text on your page is frustrating.Hobb tries to make the reader believe certain things about other characters by having Fitz repeat over and over again what qualities Hobb wants you to believe they have. But without actually seeing those things, it comes across as hollow. The greatest example of this is his every word about Kettaricken. Kettaricken could be a stuffed animal that fitz keeps saying is so brave and strong, and I would feel the same way towards it as I do to the living breathing Kettaricken character. But there are others. Like Nettle. We get all these reports that she just cries all the time. Yet when we actually interact with us she seems capable, if naive. Also, why exactly does Hobb like to make her female characters known as criers so much?Pale woman is 2D, boring antagonist. Why the Narwhal clan would think killing a dragon for her JUST for the ability to kill their forged family members is a good idea is beyond me. Hobb as Fitz didn't make a very good case for it, and neither did anyone else. Nothing suggested she'd stop preying on the clan once the dragon was dead. Even worse, nobody made the case that marrying the Narcheska from one hobbling clan in the outislands would be a good idea at all to the Six duchies. Didn't stop so-called master advisor Chade from being obsessed with completing it.Ugh. I need to stop this review. It makes me sad.

While I don't love everything that happens in this book, I definitely love the series.Set in an alternate world in a renaissance time period, it continues a story of friends, family, magic, dragons, and much more. While there might be many of these themes available, the Farseer and Tawny Man series definitely stand out in how you will fall in love with the characters and be engaged in the plot.Of the "Tawny Man" series, which is the follow up to the "Fitzchivalry Farseer" series, this is the most action packed. The first two in the series were more of a set up of the end, as well as a reminder of what happened in the first series and a point of filling in some of the important details of the plot line that further develops the characters and gives you the "why" of many of the things that have happened in the past.While the Tawny Man series doesn't get you quite as attached to the characters as Farseer did, it's definitely a must read to complete the story and will definitely give you both joy, sorrow, and a mixture of emotions as you learn more about the characters. It's definitely satisfying, though I'd say you really should read the first series before it. If you haven't, then definitely read it after. It's wonderful.There are notes of the authors other series "Liveships" throughout the books that give you several peeks into the lives of those characters as well, which I feel adds a lot of flavor to the book.I have read all three of the aforementioned series several times, with this one being read with my family aloud so that my husband can experience this wonderful story.

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Ebook Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson

Ebook Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson

Reading books will not obligate you to complete it in a day. After your reading book now, Downstairs At The White House: A Teenager, An Oval Office, And A Ringside Seat To Watergate., By Donald M. Stinson can be the selected book to be. We suggests as a result of the high quality of this publication. It features something new and different. You might not should think greatly, however just check out as well as you will certainly see why this publication is much suggested.

Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson

Ebook Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson

Don't make you really feel hard when looking for book that you will certainly check out to spare your time. Book is constantly popular in every time, every period, as well as every age. All individuals will certainly need book as recommendation to do something. When you have no ideas regarding exactly what to do in this free time, get Downstairs At The White House: A Teenager, An Oval Office, And A Ringside Seat To Watergate., By Donald M. Stinson as one of the reference books that we supply! Offering unique publications are so enjoyable for us. It is so simple to give kindness for everybody.

A publication is much related to reviewing activities. Book will be absolutely nothing when none reads it. Reading will certainly not be finished when guide is among the topics. However, in this modern-day period, the visibility of publication is growing sophisticatedly. Several sources make the both book in printed and soft documents. Having the soft file of book will alleviate you to make actual to read it. It can be saved in your different gadget, computer system, CD, laptop, even the gizmo that you constantly bring all over. It is why; we show you the soft documents of Downstairs At The White House: A Teenager, An Oval Office, And A Ringside Seat To Watergate., By Donald M. Stinson as one of issue to review.

Making certain concerning guide that needs to read, we will certainly reveal you how this publication is really more effective. You can see just how the title exists. It's so fascinating. You could also see just how the cover design is program; this is just what makes you feel interested to look much more. You can also find the content of Downstairs At The White House: A Teenager, An Oval Office, And A Ringside Seat To Watergate., By Donald M. Stinson in an excellent expiation, this is exactly what makes you, plus to feel so pleased analysis this book.

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Review

"Lots of stories in there This is a really cool book.... (the story of) a kid who kind of 'Forrest Gumps' his way into all kinds of interesting situations." Bradley Jay, WBZ Radio, Boston"(Don Stinson) may be the only man in the world who can say (his) wingmen were Bob Hope and Charlton Heston!" ​John Grayson, Jennifer Blome, 550 KTRS- St. Louis"Maybe a cool book to give to your 17 year old and say, 'See what you can do if you invite yourself to the party?'.... A curious life well lived." Michael Patrick Shiels, The Big Show, Michigan Public Radio "... a disarmingly interesting and entertaining memoir. So interesting. So entertaining. So fun." Greg Berg, WGTD-FM, Wisconsin Public Radio "Don Stinson is the guy at the party they'll listen to when he says, 'Well, I've got a story to tell!'" Paul Murnane, WCBS Radio, New York

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  If you're reading Downstairs at the White House because you want to know where the government hides space aliens or read a tale about a dashing, young White House aide, you're going to be disappointed. This book is about a much, much younger me, a guy I sometimes remember and laugh about, who frequently got himself into trouble because everything around him was so damn interesting.   Often, it was for loitering around the Oval Office.   At the age of 17, I accidentally landed a job at 1600 Pennsylvania Avenue during the height of Watergate, so far the worst political scandal in American history. Within only 18 months of cashing my first paycheck,the scandal ripened into a national nightmare, the President and the Vice President of the United States resigned, and a little-known Michigan Congressman became the nation's first unelected Chief Executive.   It was a tragedy, a political and constitutional crisis of epic proportions, and a circus. And somehow, I ended up with a ringside seat. Â

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Product details

Paperback: 368 pages

Publisher: Eastern Harbor Press LLC (October 21, 2017)

Language: English

ISBN-10: 0692952535

ISBN-13: 978-0692952535

Product Dimensions:

5 x 0.9 x 8 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

93 customer reviews

Amazon Best Sellers Rank:

#341,444 in Books (See Top 100 in Books)

I love this book! It's funny, thoughtful, and filled with fascinating historical stories and political insights you haven't heard before. A natural storyteller, the author's warmth and keen observations make this a pleasure to read—and what a memory!—so many cool details that take you behind the scenes and into the heart of what was happening in this pivotal moment in history. Full of reflections that are also very timely in today's tumultuous world, this book will have you both laughing at quirky moments and remembering what's important overall—in life, and in the halls of government. A terrific read. I hope the author writes more wonderful, wise, and witty stories like this!

Growing up in the 60's, I remember the second time that we were allowed to watch the Black and White TV in my grandparent's living room (otherwise the rules for the 10+ grandkids usually around was out of sight out of mind.) Being on vacation I thought great another space launch! We were able to watch the launch of Apollo 11with grandma and grandpa and about 20 cousins. Wrong- this time, they wanted us there for the history-to watch Nixon resign Aug. 8, 1974. I remember sitting thing thinking that it was pretty boring. We had other things to do. But we sat and watched because Grandma said so.As I have gotten older I of course developed a love of our history. Since then, there have been times that I have read something about a historical event and thought "oh to have been a fly on that wall." In this book Donald Stinson is the fly on the wall. To hear his perspective as the naive, young insider is funny and gripping. The fact that the book dealt with the political environment of my childhood made it all the more interesting. The Book is an easy and excellent read.

I thoroughly enjoyed reading this very informative and well written book. Written with lots of humor by a self deprecating Don Stinson, whom I only knew as my boss when I worked for Gannett newspapers. Now I see an entirely different side of this history buff. I strongly recommend it, and it will make a great Christmas gift. I wonder what today's young staffers at the White House may write of their experiences for future generations?

I thoroughly enjoyed it. The sense of humor is a bit odd. It is almost as if a 60+ year old man is writing as if he is still a teen-aged college student. It is loaded with details which I know to be accurate because of my own experiences there at about the same time.

This highly entertaining book is for anyone who cares about what happens in the U.S. government. This is a wry but insightful look at the Nixon White House - told from the unique perspective of an intern just getting his first taste of Washington politics. The publishing of this book couldn't be more timely - considering these Trumpian times. One can only hope that another version of Donald Stinson is interning right now and will be able to provide us with similar juicy details when he or she comes up for air. Well done, Donald Stinson!

Having been a witness to this period in US history, at about the same age as Stinson, it was a great nostalgic read from youthful insider's viewpoint. It was entertaining and educational. Although some of the stories came across as a bit trite, most gave worthwhile incites and were pleasingly personal. Stinson's book seems appropriate for anyone, especially middle school through adult, with an interest in American history. I recommend it and look forward to the sequel.

Don Stinson takes the reader on a journey through time to one of the most consequential periods in the history of the American Presidency. This, however, is not your typical history book. The reader is provided with a rare combination of history and humor from someone with a front row seat to the Nixon and Ford administrations. Downstairs at the White House is a must-read for any fan of American history, politics, and/or the American Presidency.

A lively and informative account. Don’s quick wit and self deprecating humor will entertain you between his excursions into the fascinating background of various parties and events he covers as background to his escapades. In all fairness and disclosure, I knew him in high school before he went to Washington. I can verify that the accounts of his time in Washington square with the youthful exuberance and lack of sound judgement typical to all of us at that time of life and displayed by him in my presence ... on numerous occasions. Thanks, Don, for an enjoyable read!

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Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson PDF

Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson PDF

Downstairs at the White House: A teenager, an Oval Office, and a ringside seat to Watergate., by Donald M. Stinson PDF

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Ebook Download 300 Ways to Ask the Four Questions - new edition

Ebook Download 300 Ways to Ask the Four Questions - new edition

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300 Ways to Ask the Four Questions - new edition

Ebook Download 300 Ways to Ask the Four Questions - new edition

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Review

Book Description Two nuts in New Jersey pursued a hobby collecting the Four Questions in different languages since as far back as 1971. Then they met each other. The result (14 years later) is 300 Ways to Ask the Four Questions, a delightful trip round the world. Using languages (with unique alphabets, translations and transliterations) we travel to places Jews have lived, and places they ve never been heard of. We hear the questions in living languages spoken by hundreds of millions, and dying languages spoken by as few as half a dozen. We hear them in ancient languages, click languages, and made-up languages (Klingon, Pig Latin, Lawyerese and others). With over a hundred photos, a CD and a DVD, background on each speaker, language, and language groups, and with games and puzzles to use in the seder, and a lighthearted attitude that enjoys the diversity of our world, this book is a bet-you-did-not-know-you-needed-it but must-have resource for every family. About the Authors Dr. Murray Spiegel, with a background in speech research for telecommunications, has established a reputation for innovative Passover Seders. Since leading his first Seder while in graduate school, Murray has led over 30 Seders -- no two alike. With his wife Randi, Murray has transformed their house into settings that enrich the Passover story: a Bedouin tent; a jumbo jet taking the Israelites out of Egypt; and an ancient Egyptian tomb. His car even carries the NJ license plate "Pesach." Rickey Stein is a pharmacist with life-long interests in languages and Passover. He is particularly knowledgeable on the various writing systems used by the world's languages. 35 years ago he started translating the Four Questions and hasn't stopped yet. Both Rickey and Murray's Seders have been written up in The New York Times. Review Would one or two languages have permitted us to say Dayenu? Obviously not! The linguist in me takes great delight in this book, clearly the result of painstaking research. How is this night different? On all other nights, we may hunger for the word. On this night, we feast upon it. --Theodore Bikel, star of screen and stageWherever Jews have lived they have asked the Four Questions in their native language, and now 300 Ways to Ask The Four Questions makes for a multi-cultural Seder like none before in the history of Passover. Each language contributes to Jewish learning at the Seder. My guests have loved using it and laughed at how it makes this night different. --Noam Zion, author of A Different NightAmazing! 300 Ways to Ask the Four Questions is a treasure trove of translations for use at your Seder. Dramatically demonstrates a global reach for this most observed ritual of the Jewish people. --Dr. Ron Wolfson, Professor, American Jewish UniversityWherever Jews have lived they have asked the Four Questions in their native language, and now 300 Ways to Ask The Four Questions makes for a multi-cultural Seder like none before in the history of Passover. Each language contributes to Jewish learning at the Seder. My guests have loved using it and laughed at how it makes this night different. --Noam Zion, author of A Different NightAmazing! 300 Ways to Ask the Four Questions is a treasure trove of translations for use at your Seder. Dramatically demonstrates a global reach for this most observed ritual of the Jewish people. --Dr. Ron Wolfson, Professor, American Jewish University

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From the Inside Flap

This book would not have been possible without a wondrous variety of over 600 individuals. Among them: scholars of ancient Greek, Egyptian and Old English; a Tuvin throat singer; a Maasai warrior; Africans who had no contact with the Judaic world until the 1920s; a Siberian broadcaster; singers in Bukharan and Djuwri performing groups; the President of the Foundation for Endangered Languages; an Orthodox Tamil speaker; a Mayan novelist; the Chief Editor of the Oxford English Dictionary; a Circassian princess; signal processing experts at Bell Laboratories; a Professor at the Russian Academy of Sciences; linguists from all over the planet; students, teachers, dancers, journalists and many others from all walks of life. Now you can welcome these remarkable people as guests to your next Seder!

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Product details

Paperback: 400 pages

Publisher: Spiegel-Stein Publishing; 1st edition (January 4, 2008)

Language: English

ISBN-10: 0615150632

ISBN-13: 978-0615150635

Product Dimensions:

10.8 x 1 x 8.5 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.9 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#263,283 in Books (See Top 100 in Books)

This is such an amazing book. We had a woman from India over at Pesach and she spoke Tamil which happens to be in the book. She read the four questions beautifully! What a treat!

Awesome book for Passover! Something for everyone and guaranteed laughter while asking the four questions!

I photocopied several of these, mailed them ahead of time so my guests could practice, At the Seder, I called on people to either read their entire selection or a pre-selected part. Best of all, my nephew showed up with a girl from Spain who was Catholic, I whipped out the book, and she got to read the Four Questions in Spanish for us! This was a real highlight. Too bad it is so Expensive!

bought for amazing typography of languages I've never even heard of.

Hilarious yet educational

This book is a really great way to engage everyone at your seder. This is a really fun book - buy it!

Loving the book! I wish we had secret languages in our family to share with you in order to increase the collection. I was drawn to this book for several reasons. First, we travel a lot with our 4 kids and we try to incorporate Shabbat services into our travels. We've been to Friday night servicesthroughout the US'most notable was in Cheyenne on our way to Nebraska but even in far-flung places like Hong Kong, Sydney Australia, and many Caribbean islands. No matter where we go, we can sing along and be part of the community.The second reason comes from my brother in law who, almost 40 years ago, was on a high school trip to Spain. There had been many security issues at the synagogues there and the kids were supposed to bring their passports in order to be allowed into the service. Needless to say, he forgot his! The guard at the door looked at him and said very quickly, 'ma nish ta na!' To which Dan automatically replied, 'ha layla ha zeh '. He wasallowed in.Both of these stories illustrate for me how connected we are as Jews throughout the world and how amazing it is to be in any country and feel connected. Your book is the same thing but from a different angle. I love the connections to other cultures and languages.We will probably start slowly incorporating the book into our Seder and have the kids try to ask the questions in the various languages they are studying in school. (Latin, German, French, and Spanish) Perhaps one of our other guests will surprise us as well with a rendition in another language.All in all, thank you. I enjoyed reading about the people who did the translations as much as I enjoyed thumbing through the book to appreciate all of the different languages represented.

A most interesting and facinating book, the authors have researched languages from around the world, the past, the present and event out-of-this-world, to provide the text of the Four Questions in different and special ways. Think not only Spanish, French or Bengal; think Valley Girl? Legalese? Klingon? This book provides the perfect way to enhance your Seder and add something new. I had the fortune to meet with and hear the authors speak about their research of years to produce this book, which also provides information about the translater and background on the language with each section. I recommend this book for generations to enjoy.

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Download PDF The Iliad of Homer

Download PDF The Iliad of Homer

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The Iliad of Homer

Download PDF The Iliad of Homer

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Review

"Both lucid and learned, Lattimore writes with a certain grace, capturing the combination of nobility and speed which over 100 years ago Matthew Arnold famously heard in Homer’s work. . . . Read Richmond Lattimore's translation for the epic scale and narrative of Homer's poem." (Economist)"Martin's introduction surpasses all rivals. . . . Lattimore's Iliad is best for those who want to feel the epic from the loins up, its rush, its reprieves, and its overwhelming rage." (Chronicle of Higher Education)“I had an invaluable and inspiring high school teacher, Robert Cooley, who introduced me to both Lattimore's The Iliad and The Odyssey during my senior year. It was my first experience with the power of drama and poetry combined. Little did I know that I would spend the rest of my life (especially professionally) searching for experiences that would be as satisfying. The fact that I fell in love for the first time with the guy sitting next to me didn’t hurt my journey through those books either.” (Laura Linney T Magazine)

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About the Author

Richmond Lattimore (1906–1984) was a poet, translator, and longtime professor of Greek at Bryn Mawr College. Richard Martin is the Antony and Isabelle Raubitschek Professor in Classics at Stanford University.

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Product details

Paperback: 606 pages

Publisher: University of Chicago Press (2011)

Language: English

ISBN-10: 0226470490

ISBN-13: 978-0226470498

Product Dimensions:

5.5 x 1.3 x 8.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

4,072 customer reviews

Amazon Best Sellers Rank:

#29,842 in Books (See Top 100 in Books)

REVISED 11/07/16: Homer's ILIAD should be read by every literate person who strives to be well-educated, and Caroline Alexander's 2015, modern translation is an excellent way to read it. It is sound, solid, clear and direct, and respectful of Homer's original. Her English syntax is natural and flowing, understandable but not (as in some other recent, modern versions) flippant or too colloquial. I rate the translation 5-stars, though I was initially tempted to rate this ebook edition of it at least one star lower because of its formatting.As very good as Alexander's translation is, this ebook edition doesn't do it justice with regard to its textual formatting. Between indents and long-line carry-overs, the left margin unevenly zig-zags in-and-out on a Kindle screen. Just when I thought I had it figured out some double-indents appeared to add to the confusion. Sadly, downloading a sample won't reveal this; the sample will only provide pages from the Introduction, whose modern prose is quite properly and comfortably presented. It is the poetry of the ILIAD itself whose indented lines are so annoyingly erratic, and this will only be evident to those who actually purchase it and read beyond the sample. Interestingly, in the very first few screens of this ebook (which do appear in the sample), a note from the publisher appears concerning this matter, apparently recognizing it as a possible source of confusion but essentially saying (in effect) that's how it is on a small-screen device, it's the nature of the beast, and readers must try to get used to it. And so I am trying, mollified somewhat by the fact that I paid only $.99 for it -- rather than $14.99 (its original price) -- during a special sales-promotion period. But more importantly, I have since discovered the formatting is IDEAL if the text is viewed in wider-screen, landscape mode on one's Kindle device. If you are able to make that adjustment (something my Kindle Paperwhite could not do until the last upgrade), the formatting problem is virtually solved and the long lines appear comfortably normal.I have read dozens of different translations of the ILIAD, and though I find Alexander's translation to be highly commendable, there ARE other great ones available (even one or two good FREE ones), many of them identified under FYI at the end of this review. Nevertheless, because this one is particularly well-done and desirable, you may even wish to obtain a hardcovered ($39.99) or paperback ($19.99) edition of it as a "keeper copy." (I intend to seek a less expensive used copy.)There have been numerous translations of the ILIAD in recent years, but while I suspect in time many of them will fall by the wayside, this one may not. Caroline Alexander's stands a good chance to remain, not only because it is THE best among most recent ones, but because it is ONE of the best among ALL translations of the ILIAD. But great though it is, it will survive in the economic marketplace only if it is competitively priced with those others. Happily, its ebook price has come down from $14.99 to $12.99 and more recently to $8.99 (making it a strong contender).Caroline Alexander is also the author of THE WAR THAT KILLED ACHILLES: THE TRUE STORY OF HOMER'S "ILIAD" AND THE TROJAN WAR (Viking Penguin, 2009). Those who enjoy her ILIAD may wish to read it.FYI: The first translation of the ILIAD was by George Chapman (1611), a formal and majestic Elizabethan English version in verse that is of interest today mainly in connection to its role in literary history. Two, free, public domain versions by Edward George Geoffrey Smith Stanley Derby (1862) and by Theodore Alois Buckley (1873) are pretty unpleasant to read; skip them. It's probably best to also steer clear of one by William Cowper (1791). Two old translations that remain popular, are easy to obtain in public domain editions, and ARE worth reading are by Alexander Pope (1715-20, in verse) and Samuel Butler (1898, in very readable prose). A once highly regarded one by Andrew Lang, Walter Leaf, and Ernest Myers (1883) was used by the Modern Library until replaced by Ennis Rees' wonderful translation (1963), my favorite. The best ILIAD translation is arguably by Richmond Lattimore (1951) with Robert Fitzgerald's (1974) being a strong contender for second-best. A 1938 one by W.H.D. Rouse is serviceable and generally okay. Likewise, Robert Graves offers a novelized version (1959) that is very readable but not a strict translation. Three excellent newer ones are by Robert Fagles (1990), Peter Jones (a superb 2003 revision of E.V. Rieu's popular 1950 version), and this one by Caroline Alexander (2015). Peter Green's highly literate translation (2015) is technically excellent but not as readable as the three just mentioned. Several other good, recent ones are by Michael Reck (1994, but now hard-to-find), Ian Johnston (2006), and A.S. Kline (2009). Three recent ones that I don't particularly care for are by Stephen Mitchell (2011, who omits too much textual content), Stanley Lombardo (1997), and Barry B. Powell (2013). These are just SOME of the other translations available.

UPDATED 09/13/17: Homer's "Iliad" is a truly 5-star great work of literature, and I certainly agree with all the other reviewers who extol its virtues, but the person who translates this epic poem into English from the archaic Greek is all-important to one's appreciation and enjoyment of it. One needn't suffer through a poor translation when good ones are available. The public domain translation by Edward George Geoffrey Smith Stanley Derby (hereafter referred to as Lord Derby) -- FOR WHICH THIS REVIEW WAS ORIGINALLY WRITTEN -- is outdated and not particularly good; it is certainly not enjoyable to read. (For that reason, I suspect few of the rave reviewers, though they quite rightly love and enjoy the "Iliad," have actually endured THAT particular public domain translation of it.)This review is now attached to OTHER editions by (perhaps) OTHER translators; hopefully they will be identified in the Kindle Store blurb so you can choose a good one (and avoid Lord Derby's, which I have rated 2-stars). Disappointingly, the AmazonClassics edition does not identify its translator (seemingly Derby, but in any case, just as bad), though it HAS added line numbers.Faithfulness to the original language AND readability are what one seeks in any translation of the "Iliad," and the translator must strike a proper balance between the two. Greek sentences are structured differently from English sentences, and adhering too strictly to Greek word order and syntax will result in very awkward English. Throw Homer's poetic form into the equation and the result can be a very unreal English syntax. The translator has to determine what Homer said and meant (back then) in Greek and decide how BEST to communicate that to us (today) in English.There is no particular virtue in reading a sometimes convoluted Elizabethan or Victorian rendering of the "Iliad" in iambic pentameter or heroic couplets (since Homer used neither) unless one especially enjoys reading such. In fact, foundational differences in the two languages prevent a true equivalence in English of Homer's original poetic structure in Greek; that is the reason why many translators, considering any such versification to be artificial at best and dishonest at worst, render this work in prose. But at the very least Homer's poetic form was comparatively simpler and his linguistic expression was more direct than some older translators using English poetical formats make him seem; that is why other translators now often choose free verse as being an acceptable alternative to either complex metrical forms or prose.Of course, being readable or "understandable" is not the same as being "easy," and being too simple or too contemporary is no more of a virtue than being too difficult or too old-fashioned; rendering Homer's Greek into remedial-reader English or today's slangy vernacular is inappropriate, inaccurate and does the modern reader a disservice -- so one must choose one's "Iliad" (and one's translator of it) very carefully (a task not made any easier by countless Kindle Store editions -- like the one from AmazonClassics -- whose blurbs fail to identify the translator, or which seem to describe one translation but actually provide another).Below (in no particular order) are various translations (most, but not all of them, good) that I have read and can personally attest to. Several are available as ebooks; others may have to be obtained new or used in paperback or hardcover. Some adopt a poetic format; the others (which I have specifically indicated) are in prose.(1) Robert Fagles' 1990 free verse translation from Penguin is particularly readable (and the introductory information by Bernard Knox is invaluable). Perhaps due to its having been somewhat over-hyped, academicians now seem less enthralled by it than they once were, some on the grounds that Fagles does not always strictly adhere to Homer -- but usually that claim is made when comparing Fagles' to more literal translations, ones that are more scholarly but much less readable. I find his version quite sound, and I (and many others) still like it. I think it merits serious consideration as an excellent first choice and a contender for favorite translation.(2) E.V. Rieu's original 1950 prose version (from Penguin) was very understandable but in some specific instances treated Homer a tad too freely. This has been remedied in the present prose version, expertly updated by Peter Jones in 2003. I liked the original very much, but I like the update even better. This is also a very good first choice and a favorite of many.(3) W.H.D. Rouse provided a sometimes loose but generally serviceable, 1938 prose rendering which was long available as a popular, low-priced paperback. At one time this self-proclaimed "plain language" version was widely used in many public schools because it was inexpensive and considered easier-to-understand than other (pre-1938) versions then available; with newer versions today, that ease is debatable. An ebook edition of it as a Signet Classic from Penguin is currently available in the Kindle Store.(4) Ennis Rees' refreshing, 1963 free verse translation from Random House/Modern Library is my favorite and not too dissimilar in style from Fagles' but (perhaps) more straight-forward. At present, it may not be easy to locate a copy outside of a used book store since it seems to be out-of-print.(5) Michael Reck's 1994 version, from HarperCollins, stresses its adherence to the oral tradition and is an honest, solid, respectful, and understandable translation. Though it seems to be lesser known, it is faithful to the Greek yet with comfortable English syntax. It also is not easy to find; an ebook edition, available when I originally wrote this in 2012, has sadly since disappeared from the Kindle Store.(6) Alfred Hurd Chase & William G. Perry Jr., wrote a prose version in 1950 once available in paperback from Bantam and used in schools. I haven't seen this lately, but it is very readable, and I treasure my battered old copy.(7) Richmond Lattimore's VERY accurate 1951 translation is published by the University of Chicago. It is much heralded but more scholarly and more difficult to read than other modern versions; it is widely regarded as THE very best translation. While I recognize its true greatness, it is not my favorite due to its awkward English syntax (making it, for me, a chore to read).(8) Robert Fitzgerald's 1974 translation from Doubleday is very highly regarded, but it is not an easy read. Many names are spelled less familiarly (such that "Achilles" becomes "Akhilleus"). I have a love-hate relationship to this version. It would not be my first choice for story comprehension and ease-of-reading, but its rich visual imagery and keen word-play amply reward anyone willing to make the effort to read it and devote the time to fully savor it. As I become disenchanted by the shallow simplicity and flippancy of some newer translations, I find this one becoming ever more appealing to me. After Lattimore, this is generally regarded by many as the second-best translation.(9) Robert Graves made an exciting novel-like, prose "translation" in 1959 titled "The Anger of Achilles" which is literate, generally respectful to the original, and particularly enjoyable. This lively version is great fun to read -- though debatably not a "true" and proper translation -- and an ebook edition will be found in the Kindle Store.(10) Stanley Lombardo's well-received 1997 translation is one I didn't fully read, because what I did read of it didn't impress me. Both in tone and in linguistic style, I found it to be an odd and inconsistent mix of formal and informal, noble words and deeds juxtaposed with jarring colloquialisms. I am probably in the minority, but I did not like this version.(11) Alexander Pope's classic version (1715-1720) is arguably more Pope than Homer, though some people love his heroic couplets, and it IS truly a poetic masterpiece in its own right. For many Pope fans, THIS is the one and only "Iliad," and if Homer didn't write his this way, he SHOULD have.(12) William Cowper's 1791, blank verse version demonstrates, by comparison, just how good Pope's is. Cowper's rendering results in awkward English syntax that is not as much to be read as deciphered. When I have to mentally re-translate a translation, I seek another.(13) Stephen Mitchell's 2011 translation demonstrates that being new and easy isn't necessarily always better. Like Lombardo, he uses too much inappropriate and sometimes jarring colloquial English, but unlike all the others, he expunges quite a few sections (and one entire book) of traditional text he feels are post-Homeric additions. (But what if he is wrong?) Given the accretive nature of this epic at virtually every stage in its development and transmission to us, this excision seems ill-advised. Being thus different in material-content from ALL the others, this ipso facto abridgment causes it to be something of a secondary or niche translation.(14) Andrew Lang, Walter Leaf, and Ernest Myers rendered the "Iliad" into late 19th century, "modern" English in their 1883 prose version. Although slightly old-fashioned in style, it is quite readable and has a reputation for accuracy. My copy is an old Modern Library Giant.(15 & 16): Two new translations currently available in the Kindle Store, one by Ian Johnston (2006) and the other by Barry P. Powell (2013), I have only sampled. I found nothing dramatically wrong with either of them, except a colloquialism or two in Powell's that seemed incongruous to me, such as when he has Agamemnon say to his men, "So don't rub me the wrong way" (Book 1, Line 33). Both pass muster in that Homer is generally honestly and powerfully rendered, but I personally don't care for Powell's translational flippancy and style. Neither translator offers a significant qualitative improvement over other recent translations, though Johnston comes close, and I prefer him to Powell.(17) Caroline Alexander's 2015 translation from HarperCollins DOES offer a superb and significant improvement over other recent translations, and I highly recommend it. Without a doubt the best among new ones, it is also superior to many old ones. Though solid and true to Homer, her English syntax is direct and natural, never flippant or colloquial. The ebook formatting of its long lines, necessarily divided on small-screen, Kindle-type devices, is uneven and distracting -- but that is easily remedied by switching to landscape mode.(18) Peter Green's 2015 translation, published by the University of California Press, is rightly praised for its faithfulness to Homer's Greek (not unlike Lattimore) and its lush poetic imagery, but because of that, its English syntax is not always as smooth or direct as might be desired. Nevertheless, it is superior in many ways to other recent versions mentioned above (by Johnston, Lombardo, Mitchell, and Powell), but NOT (in my opinion) to Caroline Alexander's (which I find more readable).(19) A.S. Kline's 2009 translation provides a version for the average, non-specialist reader and is currently bargain-priced at only $1.99, but his heavy use of commas offsetting every phrase makes for choppy reading.(20) George Chapman was the first translator of Homer, and his formal but majestic, Elizabethan verse edition of 1611 was (and by some, still is) highly regarded. Today, its interest to us is more in the realm of literary history than as a practical choice for general reading.(21) Theodore Alois Buckley's public domain version (1873) is no better than Lord Derby's, and like it, should probably best be avoided.(22) Samuel Butler's sturdy, 1898 prose version is worth considering (and I will say more about it below as a public domain alternative to Lord Derby's).The above list is by no means complete -- there are MANY others -- but it hints at the number and variety of translations that exist. Each of these translations (whether prose or poetry) has particular strengths and weaknesses as well as supporters and detractors, and none is perfect. That, not unexpectedly, creates some robust debate among readers of them. But, in my opinion, most of them are preferable to the public domain version by Lord Derby.I would certainly encourage you to consider trying some or all of the above, but I might suggest (purely as a practical and inexpensive starting point) the public domain, prose translation by Samuel Butler, available for free from various online sources. A free verson may not be currently offered in the Kindle Store, but several well-formatted editions are sold there for as little as $.99, and for that low price some even include Butler's translation of "The Odyssey." Although a well-known, late 19th century translator of Homer's two epics and the favorite of many readers, Samuel Butler isn't necessarily the scholar's favorite, and (like virtually every other translator of Homer) he has a few idiosyncrasies [see the NOTE below]. Therefore, he may not be considered the "best" translator from an academic perspective, but Samuel Butler's English IS straightforward, comparatively easy-to-read, and appropriately majestic but quite understandable; you will certainly be able to better appreciate and enjoy the drama and sweep of the "Iliad" in HIS version rather than struggle with the awkward English of Lord Derby's.NOTE: One of Butler's idiosyncracies (which is by no means unique to him) is a preference for using the names of Roman deities rather than the Greek (as in "Jove" rather than "Zeus"). He did so because he felt readers of his time were more familiar with the Roman names; today, the opposite is true. I do, however, own two hardcovered editions of Butler's translation in which all the Greek names have been restored, so presumably there MAY be a similarly treated ebook available (though I haven't yet found it). Not all (nor even, most) Greek names have been so treated by Butler; "Achilles," for example, remains "Achilles" (though "Odysseus" does become "Ulysses"). But for most readers the occasional appearance of a Roman name should prove to be little more than a minor distraction from an otherwise enjoyable text. Since no translation is perfect, at least this imperfection is quite bearable.ADDENDUM: Today the distinctions between poetry and prose treatments are fading due to the replacement of old, rigid metrical forms with new, free verse translations that are as direct, pleasant and comfortable-to-read as their prose counterparts. By going with the flow and reading the text as written, adhering to punctuation, pausing at commas and stopping at periods, but NOT slavishly and artificially stopping at the end of lines UNLESS punctuation dictates, readers should find in these free verse translations language as natural and understandable as that contained in prose versions. With so many wonderful translations currently available (whether in prose or in poetry), NOW is truly a great time to find and read an "Iliad" that's just right for you.

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